Dear most excellent friends and family, compdramour, compadres, marvelous musicians, clever composers, miscellaneous accomplices, possibly interested acquaintances, and almost total strangers whom I thought just might be interested… I’d like to share a music project with you.
An Aria sung over a bed track of waves, gulls, Crystal Baschet, and a buoy bell run through a Line 6 delay modeler.
Mussolini’s ‘Vincere’ speech (in which he declared war on the Allies) slowed down
and stretched out so that it screams and moans.
Jack boots and Leni Riefenstahl samples.
Dulcimers, pan delay and Array Mbiras.
An ambient composition for microtonal instrument creator Harry Partch’s ‘Cloud Chamber Bowls’.
Layers and layers of fat classic analog synth (PolySix) layered in with howling wolves as a bed track for an astonishing vocal storm by the truly and terribly astonishing voice of our muse and main protaganist, mermaid and siren, Fides Krucker.
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